This introductory course in contemporary art focuses upon Latinx art produced between 1960 and 2024, with an emphasis on art from the 1990s to the present. Readings, primary source documents, lectures, and museum visits include sociological accounts, meetings with artists and artists and theorists, and historical overviews. The course explores bodies of work by artists who experimented with materials and contextual relationships, and considers how avant-garde art confronts institutions (galleries, museums and cultural centers) and functions as protest. Using a number of theoretical frameworks (biopolitics, politics of difference, rasquachismo, relational aesthetics, repudiation of respectability politics, Third World-ism/Majority World-ism) in order to discuss political realities (migration, globalization, diaspora, crisis, and violence) we engage the works of artist collectives and artists. This is a course in active learning with communities who live and thrive in the present. As we work with contemporary art and mostly living artists, we will critically engage with methodologies in oral histories, reflect on our own relationship to these communities, Our historical scope encompasses various Civil Rights movements in order to critically scrutinize the boundaries of contemporary "American" through critical race studies. Case studies include art of the 1992 Los Angeles Riots, environmental racism, Afro-American punk queers, and indigenous photographers from throughout the Americas. How do Latinx artists allow us to understand the contemporary art world as a space of critique of both institutions and the art historical canon? How does Latinx art, like contemporary art on the whole, both participate in and stand apart from the world in which and for which it was made? Please register at: culture@jfki.fu-berlin.de with your name, matriculation number, study program, and zedat email address before lecture time starts. Schließen